Categories
Classroom Writerly Life Writing

breaking silence— part 3

As a teacher and natural organizer, I love and maybe even crave structure. It makes me feel safe and lets me know what to expect. A predictable mealtime, the order I put hair products into my untamable curls (prep, cream, mouse, shine), dentist appointments six months apart on the 14th of August & February—this is not normal, but at least I’m upfront about it?

Needless to say, when we started to analyze the structure of memoirs, I was both happy and nervous to hear that not every story follows the “plot diagram” we teachers love to present to our students. Plot diagrams, they’re easy to teach, but they easily fall apart in the face of real literature. Not every story is as neatly packaged as I would like it to be, but that’s the beauty of a story—of life—inviting people in journeying together in the unstructured uncertainty of at all.

But sometimes we can use a little direction, from someone who has done it before, someone willing to lead the way (in this case a published author). So, in looking at short sections from mentor texts, we formed maps—short little diagrams of a craft moves.

From one text we found a string of pearls, —o—o—o—o—o—o— Short and beautiful moments of life held together with a common theme.

From another a series of events story told, A–>B–>C–>D

And from yet another, “Quotes”+ Reflection–> “Quotes” + Reflection

There were more texts, more patterns, and a room full of teachers looking from above at a text and mapping it out however they saw fit. Just seeing a pattern helped me to see purposeful craft moves that I could make, because even though my story wasn’t exactly the same, there was still much to learn.

The structure gave me something to hold onto, got me out of feeling so stuck in my writing, so while the reflecting was hard, it had a place in my story and I would have to go there to make the piece effective.

I wrote all that to say a few things:

  1. Wow, the impact of just a few carefully chosen mentor texts.
  2. Imagine the power of letting students create their own map & follow it.
  3. Being teachable— in writing, in reflecting, in journeying—Beauty.
Categories
Classroom Professional Writerly Life Writing

breaking silence— part 2

Coming up with an idea, something I needed to write about, that wasn’t hard. In fact, I easily produced at least five pretty quality topics I could have used. Even then, collecting story seeds around my idea wasn’t hard either. For a few of my topics, I had well over ten pages of writing. But then I had to name the issue, or the common theme throughout the seeds that I would be able to weave into my memoir.

It was in this process of searching and reflecting that I realized this was a project where I could face hard things head on or choose something easy and go through the motions (much like the book report I did on Rachel Carson every year throughout elementary, middle, and high school). But, you don’t travel from PA to New York, pay to go to Columbia, and fork over NYC rent to write a piece that tells you the something you already knew.

Now I’m going to take a second and pause, I’m not sharing my final piece with you. I don’t want to get your hopes up with all this reflecting and then have you be disappointed in the end. I’ve already shared the piece out as far as it goes, which pretty much means the people in my class, and Jess (my writing partner from home), oh and little baby Siena & her awesome momma Michele because they were there for one of the torturous revision sessions I put myself through. Sometimes we (our students too) need to write and not share it with the world. For me the topic I ended up picking is a little too raw to share with everyone, at points it felt too raw for me. So, while I wish I could share some amazing piece with you, know this—I tackled hard stuff, I grew.

Okay back to the process. Once I found the topic that I needed to write about, I asked myself the hard questions, I boxed out the parts of the stories that revealed what I was trying to say. We began to study mentor texts, to see how other authors had done the same thing that we were trying to do.

At this point I began to use a few tricks that we were seeing in mentor texts.

  1. Reflection- using questioning within the text
  2. All the time- this is how it always would go; he would or she would always
  3. One time- but this one day
  4. Symbols & Metaphor

And because I am a classic version of the overachiever, I used all of them.

Even just typing this out, I am amazed at the process, and how much thinking I was forced to do. Somewhere in the middle of all this, we revised for structure. We had been doing a lot of up close looking at the text and working within reflection for so long that I had almost forgotten to pull myself away and analyze the story structure.

The story structure thing, it was pretty huge for me, so I’m going to stop here and save that for its own blog. It deserves it.

To be continued . . .

 

Categories
Classroom Professional Writerly Life Writing

breaking silence—part 1

It’s Saturday morning and I owe you myself a little bit more in the way of reflection on this past week (umm where did this week go? & I may never come back).

Let me start by saying, there is something crucial to writing, the way it helps us remember, process, and pause. One of the best parts of this week at Columbia may not have been the way I learned to teach my students, but rather the way I learned to teach myself.

In my morning class, with Sara Kugler, we focused on memoir. Memoir is different from personal narrative in that while a personal narrative is written from the perspective of the main character experiencing the event for the first time, a memoir is written from where the author is today looking back—it includes the truth of your experience.

Sara quoted Katherine Bomer often in class, which pretty much captured my heart from the beginning . . .

We write memoir to break the silence surrounding who we are.
We write memoir to awaken the I.
We write memoir to bear witness.

Maybe it was then that I realized I was in the right place. This is the writing my heart needs and fears at the same time. This is the writing my kids need me to show them. I would pay close attention. I would learn how to teach and pull from my kids. I would allow myself to be taught and pulled.

Then the assignment: go the places you don’t usually let yourself go.

I have to say it was hard for me, not hard like I really had to focus hard, hard like I sat for what felt like hours with pen in hand doing nothing but crossing out the previously written word.

But, just because something is hard or just because my pen wasn’t writing as fast as it normally does, doesn’t mean I wasn’t learning, doesn’t mean it wasn’t exactly what I needed.

To be continued . . .