Categories
Classroom Writing

Guest Blogger—Lynn Balmer: The Power of Words

When my coworker, Lynn, sent me this piece of writing, I knew I had to share it with you. She is truly ahappyteacher, but this morning she was also ahappywriter.  Nothing makes me happier than passionate people, passionate people writing—they’re my BFFs.

Anyway, she wrote this as a model for her students, to show effective organization. I’m pretty sure it also shows effective voice, style, and everything good writing should be. I love Lynn for sharing like this with her kids; I love Lynn for sharing this with me; I’m sure you’ll love her too. . . .

“The Power of Words”

            I wasn’t the prettiest, smartest, or most popular person in my class.  But like any normal kid, I wanted to get attention from my peers and teachers.  Fortunately, I found a way that was positive: humor.  And no where did that humor come out more than through my writing.  I evolved as a writer from the kindergartner who gripped a pencil tightly with her tongue sticking out as she carefully formed each letter to the  teacher who still hunts and pecks as she types a mentor text for her eighth grade students.

Picture this:  a five year old with a bad hair cut from her grandfather (it was a way for a single income family to save a few bucks) and pink cat eye classes (hey, it was 1963; I was stylin’).  Eager to start school and impress the teacher, I proudly printed my first name at the top of my paper.  L  nn.  Miss McGregor walked by, glancing at my paper as I smiled up at her, despite the stern look she gave me (as the year progressed, those stern looks turned into vicious slaps meant to stifle my chattiness and humorous remarks which I never raised my hand for).   She made no comment, but later that day I got to take a note home to my mom.  My school career had just started; what did I know about notes home from the teacher.  Later that night, my mom informed me that she couldn’t practice my letters and name with me anymore.  The teacher said I wasn’t making my letters correctly, specifically the “y”, and the school had a particular way that they wanted to teach students how to write.  These were different times from today, a time when both students and parents deferred to teachers’ wisdom (and discipline), so my mom dutifully allowed the school to teach me how to write letters properly.  And while writing is much more than knowing how to write your name, my earliest memories of writing are about writing my name, my identity, backwards “Y” and all.  Fortunately, Mrs. McGregor did not smack the joy of learning out of me, nor did she quell my witty remarks, which amused the class.  I loved elementary school, especially reading and writing which came quite easily to me, and I readily accepted the role as class clown.

My writing flourished, however, when I hit middle and high school.  By now I was experimenting with the actual spelling of my name, ranging from the typical “Lyn” or “Lynne” to the more unique “Lyne” which was short-lived because people began calling me “Line”.  But the real power of writing for me came with the status it gave me as a funny person, a natural born storyteller.  Quite a few teaches allowed us to perform skits to show our knowledge, whether it was reenacting Columbus’s discovery of America in social studies or creating a different ending to a novel we’d read in English class.  And here is where I finally got to shine.  I was the writer of the script.  Naturally, I had a star role in the production too, and no matter how serious the topic, I always managed to work some humor into it.  At that time I didn’t own a type writer, but I didn’t mind filling sheet after sheet with blue ball point pen, crossing out a word here to put in a more precise one, inserting a comma there, and sometimes even ripping up the whole paper to start over.  Like most adolescents, I was painfully aware of my appearance (my stylin’ pink eye glasses now replaced by the much more hip octagon wire frames of the 70’s) and while I was limited in my ability to perfect my appearance, I was empowered with the written word, which I used to express myself and to entertain others.

By now I realized that my status in school was someone who was smart, but not too smart, and funny.  While I never ran with the most popular people, I was accepted by them because I could make them laugh.  In 11th and 12th grades I had the same English teacher, Mrs. Watkins, and under her tutelage I created literary analyses, research papers, and my personal favorite: narratives.  Stories about me and my life experiences which I could embellish and make funny.  What’s more, she let me read them aloud to the class (I always volunteered), and I can still picture it:  me at a desk with the chair attached which was in the very front of the room, the blackboard behind me with Mrs. Watkin’s perfect handwriting conveying profound words of wisdom, and the whole classes’ eyes on me as I read my story.  Not that I wanted anyone looking at me too closely back then (I never felt like I had quite the right look or clothes or hair and by now my eyes were so bad that no matter what kind of cool glasses I tried on, by the time my prescription was put into them, I looked like I was wearing the classic geek Coke bottles, definitely not a way to get a boyfriend). However, the real draw of the classes’ focus on me was the power of my written words on an audience.  Maybe Richard wasn’t going to go to the Homecoming dance with me (my fantasy), but I could make him laugh, and that kind of attention drove me to write more and more.  Poetry (most of it really bad) and letters to friends when I went off to college (long before email and texting), and eventually lesson plans as a student teacher for 7th grade English.

Because now writing was not just a way for me to be the center of attention as I made people laugh.  It was something I was good at, whether I wrote to entertain, inform, or persuade.  I chose a career to teach others how to read and write because I loved doing both these things so much, that I wanted to inspire others to love them too (or at least appreciate what the written word has to offer).  And so here I sit, hunting and pecking on my keyboard, writing a mentor text for my 8th grade students, feeling the power of the written words as they seem to almost magically appear on the page (wearing both contacts and funky reading glasses now that my myopic eyes are middle aged).   When I share this written piece with them, in hopes of inspiring them to think about how they have progressed, evolved, and grown in their own lives, I also hope that they appreciate the power of the written word.  And maybe even laugh a few times.

Categories
Classroom Writing

timelines

Backing things up a bit, I wanted to share with you a planning strategy we used in our journals before lifting the text to regular paper. I didn’t think the strategy was blog worthy (or maybe I just didn’t have the time), but now that I’ve had the chance to read through most of their journals, I can see it had power.

I often teach making timelines as a planning strategy when working with Small Moment True Stories. A timeline is exactly what you think, a series of events in the order you will write them. The difference is I usually have my kids make at least three for the same story. I do this because I want them to recognize that a story might be more powerful if it started an hour earlier or maybe even right in the action itself. They’re the authors so in the end they do the picking, but I do force them to make timelines.

In making these timelines students are looking at:

  • Which approach best tells the story?
  • Which approach best conveys why this story is important to tell?
  • Which approach is unique or follows a mentor author?

After making the timelines some students had to shift text around, others had to add on, and some simply decided to keep their story as they had written it. All completely fine options in my book, as long as the thinking was there. And after looking at their journals, I’m thinking it was . . .

Here’s an example of three different timelines that I found in H’s journal . . . they kinda’ read like a poem don’t they?

Getting ready for game

Warming up for the game

Getting starting lineups

 

I start at mid-field

Snowing, raining, 40 degrees out

Playing my guts out

Can’t feel my hands or legs

 

After playing for 60 minutes we lose

2-1 was the score

Sweat and cold air

Thought to myself maybe next year

I will never stop playing soccer

Categories
Classroom Writing

lifting

Today we went for the first big move, or lift as I’m calling it. My kids took their first idea out of their notebooks and onto drafting paper.  I love this part of the process; where they have generated thousands of ideas and tried out a few seeds of stories in their playground (err notebook), and now they’re ready to test out their story to see if it will stick (and it will . . . because I’m teaching them to revise . . . lots).

I can’t wait to teach them revision. There is something about watching a writer struggle with their own paragraph, sentence, word, that gives me the chills. I love the decision process where a writer cuts out a whole paragraph because they’ve told you too much. Or better yet, I love hearing an author read a sentence aloud four different ways until they’ve found the perfect order for their words. Then again sometimes the removal of a word or the changing from the proper noun, Zack my boyfriend, to just the measly pronoun him when you break up — oh the power my young writers have (don’t even get me started on the drama they can cause with punctuation).

I’m giving them one more day to draft this whole thing out on paper, and then I’m diving in. I’m offering up five mentor texts to them for mining of tips and strategies while we revise together together.

Mentor Texts for Small Moment True Stories:

  1. Boys, Beer, Barf, and Bonding by Bruce Hale
  2. Crow Call by Louis Lowry
  3. Marshfield Dreams by Ralph Fletcher (Chapter 2—Statue)
  4. Dead Body by Jerry Pallotta
  5. Eleven by Sandra Cisneros

Of course, I’ll be modeling with my own writing and these books— hopefully, I’ll find a break in the middle of all this and share a tip or two with you.